Can tunes bridge Palestinian-Israeli divide? A Druze pop star thinks so

Can tunes bridge Palestinian-Israeli divide? A Druze pop star thinks so

DALIAT AL-CARMEL (AFP) — “Yalla, yalla, increase your hands!” Israeli Druze singer Mike Sharif shouts in Arabic to the Palestinian crowd swaying to a Hebrew hit at a wedding ceremony in the West Bank.

The scene, all the much more uncommon as it took place in Yatta, a Palestinian village near Hebron and website of regular friction with the Israeli army and Jewish settlers, made a excitement on social networks and neighborhood media.

“I had well prepared 3 several hours of functionality in Arabic only. Immediately after fifty percent an hour, everyone — the families of the bride and groom, the friends — requested me to sing in Hebrew,” Sharif, interviewed in the northern Israeli Druze city of Daliat al-Carmel, instructed AFP.

The Druze, an Arabic-talking minority offshoot of Shiite Islam, variety all-around 140,000 in Israel and the Golan Heights.

Nicknamed “the Druze prodigy” soon after successful a Television set competitiveness aged 12, Sharif — now in his 40s — rose to fame with his Mizrahi (Japanese) pop tracks in the 1990s in Israel, but also in the West Lender, Gaza, and Arab nations around the world.

“I have always belonged to anyone,” says the self-proclaimed “ambassador of peace” among Israelis and Palestinians.

Israeli Druze singer Mike Sharif is pictured throughout an job interview with AFP in the northern Israeli village of Daliyat al-Karmel, on January 10, 2022. (Jalaa Marey/AFP)

‘Hebrew in Hebron, Arabic in Tel Aviv’

From the inception of Mizrahi pop, influenced by the Jewish cultures of the Center East and North Africa, reciprocal influences have been proven with the audio of neighboring Arab territories.

These days, the attractiveness of artists like Eyal Golan or the younger Eden Ben Zaken reaches effectively into Palestinian modern society. at?v=zG1oRjiwibc

At the similar time, the huge names in Arabic audio — this kind of as Umm Kulthum and Farid al-Atrash — have extensive been well known amongst Israeli Jews.

To Sharif, this musical proximity need to make it feasible “to unite everyone” and lead to ending conflicts.

“I sing in Hebrew in Hebron, in Arabic in Tel Aviv and Herzliya. I sing in both languages and every person sings on both sides,” he mentioned.

“Music can lead to peace. Politics does not convey individuals with each other this way.”

His Yatta present, having said that, brought waves of criticism and even threats from both sides, with some Palestinians and Israelis contacting him a “traitor” — the previous for singing in Hebrew in the West Lender, the latter for undertaking at a Palestinian relationship.

And after owning said he wished to be “the to start with Israeli singer to perform in the Gaza Strip,” the territory controlled by Hamas terrorists that Israelis may not enter, he abandoned the strategy “due to tensions,” Sharif reported.

‘Emotional experience’

Oded Erez, a well-known new music pro at Bar-Ilan College around Tel Aviv, back links the idea of audio as a bridge among Israelis and Palestinians to the “Oslo years” of the early 1990s pursuing the signing of interim peace accords.

Jewish singers like Zehava Ben or Sarit Hadad performed songs by Umm Kulthum in Palestinian metropolitan areas in Arabic, he recalled, but according to the musicologist, this phenomenon collapsed together with the political failure of the Oslo accords.

Sarit Hadad (photo credit: Kobi Gideon/Flash 90)

Sarit Hadad. (Kobi Gideon/Flash 90)

“This shared investment in shared tunes and design and style and seem is not a system for political modify or political reconciliation per se, you would want to politicize it explicitly, to mobilize it politically, for it to turn into that,” he mentioned of latest cultural musical exchanges.

Currently, the musical affinity involving Palestinians and Israelis is minimized to the critical, “more bodily and psychological than mental,” he reported.

The ask for of the Palestinian revelers at the Yatta wedding was “not a desire for Hebrew per se” but alternatively for Sharif’s “hits” from the 80s and 90s, when “his new music was circulating” and some tunes entered the marriage “canon,” Erez said.

The exact same goes for the title “The audio of gunpowder,” created in 2018 in honor of a Palestinian armed gang chief from a refugee camp near Nablus in the West Bank that is played consistently at Israeli weddings, Erez explained.

“When there is tunes, persons disconnect from all the wars, from politics, from dissimilarities of opinion,” Sharif explained.

“They neglect every thing, they just aim on the audio.”

ToI staff members contributed to this report.

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